Once at the margins of the art world, film now occupies a prominent place in museums and galleries. Exhibiting Cinema in Contemporary Art explores the emergence of cinema as a primary medium of artistic production, offering an in-depth inquiry into its genesis, its defining features, and its ramifications. Erika Balsom also tackles cinema studies’ great disciplinary obsession—n...(展开全部)

Theory in Contemporary Art since 1985 is a groundbreaking anthology that captures the essence and the edge of the contemporary art scene. Provides the first truly comprehensive and international anthology of theory in contemporary art of the last two decades. Brings together a broad selection of important contributions to the fields of contemporary art, theory, and cultur...(展开全部)

This groundbreaking new survey of contemporary art covers all the major art movements since 1970, the impact they have had. Each chapter contains a one or two page spread dedicated to artists commenting on their own work or the work of other artists.

There has been a significant boom in recent Argentine cinema, with an explosion in the number of films made in the country since the mid-1990s. Many of these productions have been highly acclaimed by critics in Argentina and internationally. What makes this boom all the more extraordinary is that it has coincided with a period of severe economic crisis and civil unrest in the n...(展开全部)

作者：(美国)佐亚·科库尔(Zoya Kocur) (美国)梁硕恩(Simon Leung) 译者：王春辰 何积惠 李亮之 等佐亚·科库尔（Zoya Kocur）是一位独立学者兼美国纽约大学艺术系客座艺术教授，合作编著了《当代艺术与多元化文化教育）（1996年），并发表过多篇有关艺术教育学和博物馆教育学方面的论文。梁硕恩（Simon Leung）是一位艺术家兼美国欧文加利福尼亚大学演播艺术系副教授，他的作品曾在威尼斯三年展（2003年）和惠特尼双年展（1993年）上展出。 王春辰是中国艺术批评家、美术史学博士，现工作于中央美术学院美术馆。出版有《1940年以来的艺术》（2006年）、《绘画现象学》（2006年）、《装饰新思维》（2006年）、《艺术的终结之后）（2007年）等译著。

At one time dismissed by many as inaccessible, elitist or even facile, contemporary art has since entered the realm of popular culture and is enjoyed by millions of gallery visitors every year. This accessible and beautifully produced up-to-date guide pinpoints key artists and events, and so helps demystify a generation of rapid change in the art world. The A-Z listing (by arti...(展开全部)

路易莎·巴克是一位艺术评论家和新闻工作者。她为很多期刊撰稿，是《艺术报》(the Art Newspaper)驻伦敦的当代艺术通讯员和2005年“透纳奖“(Turner Prize)评委。她出版了多部艺术方面的著作，其中包括《移动的目标:英国当代艺术使用指南》 (Moving Targets: A User's Guide to British Art Now)和《拥有艺术:当代艺术收藏家手册》(Owning Art: The Contemporary Art Collector's Hand book) [与 朱迪思·格里尔(Judith Greer)合著] 丹尼尔·麦克林是艺术、文化财产和知识产权法律方面的执业律师，同时还是一位独立的策展人和作家。他曾主编过两部艺术法律方面的著作，即《昂贵的图像:艺术、版权和文化》( Dear Images: A...(展开全部)

With austerity cuts to public funding, many contemporary art museums have been forced to scale down their budgets, staff and acquisitions. In Radical Museology, New York-based art historian Claire Bishop argues that the incommensurability of fiscal and cultural temporality--one fast, the other slower--points to an alternative world of values in which museums (and by extension, ...(展开全部)

For undergraduate/graduate courses in Contemporary Art, Art Criticism, and Art History; also appropriate for studio courses. This text gathers together the seminal moments in the international art scene of the last few years, placing them in the context of the critical and public understanding of the works, and brings into play the remarkable growth of contemporary art museums ...(展开全部)

To stay relevant, art curators must keep up with the rapid pace of technological innovation as well as the aesthetic tastes of fickle critics and an ever-expanding circle of cultural arbiters. "Issues in Curating Contemporary Art and Performance" argues that, despite these daily pressures, good curating work also requires more theoretical attention. In this groundbreaking volum...(展开全部)