Once at the margins of the art world, film now occupies a prominent place in museums and galleries. Exhibiting Cinema in Contemporary Art explores the emergence of cinema as a primary medium of artistic production, offering an in-depth inquiry into its genesis, its defining features, and its ramifications. Erika Balsom also tackles cinema studies’ great disciplinary obsession—n...(展开全部)

Theory in Contemporary Art since 1985 is a groundbreaking anthology that captures the essence and the edge of the contemporary art scene. Provides the first truly comprehensive and international anthology of theory in contemporary art of the last two decades. Brings together a broad selection of important contributions to the fields of contemporary art, theory, and cultur...(展开全部)

Theory in Contemporary Art since 1985 is a groundbreaking anthology that captures the essence and the edge of the contemporary art scene. Provides the first truly comprehensive and international anthology of theory in contemporary art of the last two decades. Brings together a broad selection of important contributions to the fields of contemporary art, theory, and cultur...(展开全部)

This groundbreaking new survey of contemporary art covers all the major art movements since 1970, the impact they have had. Each chapter contains a one or two page spread dedicated to artists commenting on their own work or the work of other artists.

This groundbreaking new survey of contemporary art covers all the major art movements since 1970, the impact they have had. Each chapter contains a one or two page spread dedicated to artists commenting on their own work or the work of other artists.

There has been a significant boom in recent Argentine cinema, with an explosion in the number of films made in the country since the mid-1990s. Many of these productions have been highly acclaimed by critics in Argentina and internationally. What makes this boom all the more extraordinary is that it has coincided with a period of severe economic crisis and civil unrest in the n...(展开全部)

作者：(美国)佐亚·科库尔(Zoya Kocur) (美国)梁硕恩(Simon Leung) 译者：王春辰 何积惠 李亮之 等佐亚·科库尔（Zoya Kocur）是一位独立学者兼美国纽约大学艺术系客座艺术教授，合作编著了《当代艺术与多元化文化教育）（1996年），并发表过多篇有关艺术教育学和博物馆教育学方面的论文。梁硕恩（Simon Leung）是一位艺术家兼美国欧文加利福尼亚大学演播艺术系副教授，他的作品曾在威尼斯三年展（2003年）和惠特尼双年展（1993年）上展出。 王春辰是中国艺术批评家、美术史学博士，现工作于中央美术学院美术馆。出版有《1940年以来的艺术》（2006年）、《绘画现象学》（2006年）、《装饰新思维》（2006年）、《艺术的终结之后）（2007年）等译著。

作者：(美国)佐亚·科库尔(Zoya Kocur) (美国)梁硕恩(Simon Leung) 译者：王春辰 何积惠 李亮之 等佐亚·科库尔（Zoya Kocur）是一位独立学者兼美国纽约大学艺术系客座艺术教授，合作编著了《当代艺术与多元化文化教育）（1996年），并发表过多篇有关艺术教育学和博物馆教育学方面的论文。梁硕恩（Simon Leung）是一位艺术家兼美国欧文加利福尼亚大学演播艺术系副教授，他的作品曾在威尼斯三年展（2003年）和惠特尼双年展（1993年）上展出。 王春辰是中国艺术批评家、美术史学博士，现工作于中央美术学院美术馆。出版有《1940年以来的艺术》（2006年）、《绘画现象学》（2006年）、《装饰新思维》（2006年）、《艺术的终结之后）（2007年）等译著。

At one time dismissed by many as inaccessible, elitist or even facile, contemporary art has since entered the realm of popular culture and is enjoyed by millions of gallery visitors every year. This accessible and beautifully produced up-to-date guide pinpoints key artists and events, and so helps demystify a generation of rapid change in the art world. The A-Z listing (by arti...(展开全部)